Louisiana Music Factory

fall fieldwork weekend in nola

I’m just returning from a productive weekend of fieldwork in New Orleans. I have several of these short weekends planned in the next few months – an unfortunate necessity that would be much better served if I could just spend a week straight on the streets. Shocker here – I can’t.  The ten years I did spend walking them is certainly an advantage, and I’m now realizing how much access and information I have that’s allowing me to complete this project – I’m grateful.

Saturday was highly productive. My partner and I systematically roamed throughout the quarter for several hours so I could make recordings, take photos, and note locations on my map.  I won’t write too much here (you’ll have to read the thesis to find out more), but suffice it to say that I’m surprised at how stationary these musicians are. The busking locations never deviate. It’s as if there are fifteen designated spots for these musicians to plant their feet and they come back to these spots, day after day (often switching between them) – of course, a lot of it is based on foot traffic.

Sunday was less productive, but I learned a lesson. It’s an odd thing to return to the city you call home and think of it as a research project. I never noticed before that during a Saints [football] game, the streets are empty – probably because I was always on a bar stool during the games. A game started at noon yesterday, so by eleven the streets were clearing out. For street musicians this means less foot traffic, less money, and less overall exposure. There’s no reason for them to be out there. As I was seeking them out, they were packing up to find a bar stool in front of a TV. The musicians that were out and about (such as Doreen’s band) were plastered in Saints regalia. My lesson? For future fieldwork trips, I need to consider game times (or at least talk about the game time phenomenon in my work).

In place of hanging with the musicians, I went down to the Louisiana Music Factory and Beckham’s bookshop on Decatur and spent a stupid amount of money on books and albums related to my work. I was slightly disappointed at the response from LA Music Factory when I asked “Do y’all carry any Bounce titles?” (The answer was no)…

Below are some photos from the weekend. I spent the majority of my time with two specific groups of musicians, as is evident in the photos:

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